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UPDATE: SSAWW 2017 Université Bordeaux Montaigne

We are pleased and honored that both Alice Kaplan and Sarah Rose Etter have accepted our invitation to join us and give a keynote address.

Alice Kaplan is probably best known for her 1993 memoir, French Lessons, which was also a finalist for the National Book Critics Circle award in biography/autobiography. Her latest book, Dreaming in French: The Paris Years of Jacqueline Bouvier Kennedy, Susan Sontag, and Angela Davis, was published in 2012 by the University of Chicago Press and the Editions Gallimard. She has also translated a number of books by Roger Grenier (Piano Music for Four Hands, Another November, and The Difficulty of Being a Dog), Louis Guilloux (OK, Joe), and Evelyne Bloch-Dano (Madame Proust). Last but not least, she is a renowned historian whose first book, Reproductions of Banality (1986), was a theoretical exploration of French fascism. Since then she has published books on Céline’s anti-semitic pamphlets (Sources et citations dans ‘Bagatelles pour un massacre’), on the treason trial of Robert Brasillach (The Collaborator: The Trial and Execution of Robert Brasillach), and on American courts-martial in newly liberated France (The Interpreter).

Sarah Rose Etter is a celebrated young writer whose first collection of stories, Tongue Party, won the 2010 Caketrain Chapbook Competition and has just come out in a French translation by Véronique Béghain (Hommes sous verre, Editions Do). More about Sarah Rose Etter on http://www.caketrain.org/tongueparty/

SSAWW 2017 Université Bordeaux Montaigne CFP: https://ssawwnew.wordpress.com/conferences/ssaww-2017-universite-bordeaux-montaigne/

Prizes: SSAWW Graduate Student Paper Awards Announced

SSAWW Graduate Student Paper Awards

The Society for the Study of American Women Writers is pleased to announce the winners of its 2015 Graduate Student Paper Awards, which recognize the exemplary work that graduate students presented at the recent SSAWW conference in Philadelphia, PA. This contest is separate from the best paper award sponsored by Legacy. Awards include a prize of $250 for first place and $150 for second place. 
 
The following winning papers were selected among 32 entries:
 
First place
Julia Dauer, University of Wisconsin-Madison, “Maureen Cummins: Bookmaking and the Nineteenth-Century Archive”
 
Second place
Kimberly Farris, UNC Chapel Hill, “Educating the Nation: Pedagogical Nationalism and Female Utopias in Augusta Jane Evans’s Macaria
 
Honorable Mention 
Faune Albert, University of Massachusetts Amherst, “(Re)writing Histories in the Crossing: Natasha Trethewey and the Poetics of the Miscegenated Body”
 
Mark B. Kelley, University of California, San Diego, “‘An Offense without Feeling’: Confederate Pirates of Sympathy and Maria Cummins’s Haunted Hearts (1864).”
 
 
SSAWW thanks the 2015 Graduate Student Award Committee members: Conseula Francis (College of Charleston), Lisa West (Drake University), and Amy Hobbs Harris (Central State University). 
 
All 2015 award winners are recognized on SSAWW’s website: https://ssawwnew.wordpress.com/awards/2015-awards/
 
Kristin J. Jacobson
Associate Professor of American Literature, American Studies, and Women’s, Gender, and Sexuality Studies
Stockton University

SSAWW CFP for MLA 2017 Special Session

American Women Writers’ Boundary Conditions

Special Session
Boundaries that define/challenge the category of American women writers, any period/genre. Special session proposed by the Society for the Study of American Women Writers. 500 word abstract by 1 March 2016; Kristin J. Jacobson (kristin.jacobson@stockton.edu).https://apps.mla.org/cfp_detail_8849
Please share and submit abstracts
Topics might include author(s), text(s), and/or teaching approach(es) that define/challenge:
  • the category of American “woman”:
    • a cisgender male or gender-queer author/text that should be included under the rubric of AWW
    • a cisgender female author/text that clarifies the (continued/strategic) essentialist need for scholarship on AWWs and/or who has been excluded from study;
  • the category of “American” woman:
    • the criterion that defines/should define a text/author as “American” within the field of AWW and our organization;
  • the categories of “American” and “woman” writer:
    • a text/author that helps define or challenges both core categories of the field.

https://call-for-papers.sas.upenn.edu/node/66331

CFP Border Crossings: Translation, Migration, & Gender in the Americas, the Transatlantic, & the Transpacific (Deadlines: 30 June for Complete Panels; 31 August for individual papers)

Border Crossings:Translation, Migration, & Gender in the Americas, the Transatlantic, & the Transpacific

Society for the Study of American Women Writers & Université Bordeaux Montaigne

Dates: 5th – 8th July 2017

Venue: Université Bordeaux Montaigne, France

Conference director: Stéphanie Durrans

To maintain a continuity with our previous conference (in Philadelphia, November 2015) on liminality and hybrid lives, we would like this first SSAWW conference in Europe to address the significance of “border crossing[s]” in the lives and works of American women writers. Such experiences have always been important to American women. Early diaries and travel notes left by 17th– and 18th-century women provide us with valuable records of and about their migratory experience to the New World and their lives and experiences in America. Besides offering more records of such experiences, the 19th century also witnessed an explosion in travel writing, fiction, and poetry treating with travel, as growing numbers of American women writers could afford to travel across Europe and more widely. Throughout the 20th century, more American women writers found in foreign lands a source of inspiration and creativity (e.g. Willa Cather, Edith Wharton, Kay Boyle, and Djuna Barnes in France, Elizabeth Bishop in Brazil, Katherine Anne Porter in Mexico) and some of them even made the choice to write from abroad. Meanwhile, women writers originating from other countries drew on their first-hand experience of migration, border-crossing, and uprooting to add to the growing canon of American literature (e.g. Jumpa Lahiri, Bharati Mukherjee, Shirley Geok-lin Lim). No study of border-crossing can afford to neglect the rich mine of writing contributed by Chicana writers throughout the 20th century. As pointed out by Carmen Tafolla, “[Chicanos] did not cross the border; the border crossed [them].” This was also true of many other women, moving into or across America. From such a perspective, crossing borders lends itself to the most radical strategies of subversion and defamiliarization. Last but not least, such writers as Toni Morrison explored the darker side of border-crossing by seeking to express and represent the trauma of the Middle Passage for whole generations of Africans, and the multiple dilemmas facing African American women down the decades.

The conference theme invites participants to explore the broad spectrum of possibilities generated by such cross-cultural interactions, as well as the challenge consequently posed to literary canons. How has this experience affected women writers’ worldview and conception of language? To what extent do their modes of exploration differ from that of their male counterparts? How important were such contacts in allowing women writers to develop a consciousness of otherness and/or forge a community of feeling and experience transcending national and/or cultural barriers? “Chroniclers bind the inner and outward history of isolated humanity, but travellers connect all humanity together,” stated Grace King in one of the first entries to her diary. More often than not, indeed, geographical borders assume an ontological dimension, and crossing them amounts to an exploration of the self as much as to a confrontation with otherness. Crossings have always involved a necessary stage of transition, transformation, and consequent redefinition of the self that questions the very stability and permanence traditionally associated with women’s conventionalized roles. Thus we are very happy to consider writers using the idea of border crossing and travel symbolically or metaphorically as well as literally: early female travellers, explorers, and adventurers crossed borders in more ways than one, often by transgressing gender expectations, using this experience or awareness to reshape the conventions of many genres. One might also approach the topic by focusing on what happens when literary works cross national borders to reach foreign readers in translation. In this respect, translation studies and studies of American women writers’ reception abroad constitute another potentially fruitful arena.

As a multiethnic, multilingual society, the U.S. undoubtedly provides fertile terrain for the development of a transnational consciousness that will be pivotal to our questioning on the topic. Possible approaches to the conference theme may include but are not limited to such keywords and ideas as:

  • Women writers and travel writing
  • The migratory experience
  • Expatriate American women writers
  • Expatriate women writers in Paris
  • The Lost Generation
  • Redefining the national canon
  • Transnationalism
  • Transatlantic studies
  • Transcontinental/Transpacific/Transatlantic literary relationships
  • Geographical borders/ontological issues
  • Representations of otherness
  • Cross-cultural interactions
  • Cross-linguistic perceptions/living between two languages
  • Women and frontier experiences
  • Translation studies
  • American women writers’ reception in foreign countries
  • Women writers’ reception in America and Europe

Submission Instructions
Deadline: August 31, 2016 (Individual Papers)

Submissions are electronic. Submit individual proposals and completed panel proposals to ssaww2017.bordeaux.montaigne@gmail.com both attached in Word or rtf, and pasted into the body of the message.

The conference organizers welcome and encourage complete session submissions as well as individual paper abstract submissions. Affiliate associations and regional groups should follow the submission guidelines for complete session submissions.

Conference participants may appear on the program twice as presenters: once on a panel presenting a formal academic paper, and once in an additional way (for example, on a roundtable, as a respondent, or in a “professionalization” session).

Complete Panel Submission Guidelines-Deadline 30 June 2016

The cfp for complete panel submissions can be posted on the SSAWW website in addition to other venues of your choice. For posting on the SSAWW website, please send cfp to ssaww.web@gmail.com.

Listserv members can circulate the call at: ssaww-l@ucsd.edu.

Session lengths are 1 hour and 15 minutes.

Complete sessions may take the form of panels or roundtables. A panel normally consists of three, preferably four presenters, who speak for approximately 15 minutes each with 15 minutes left for discussion. Roundtables consist of five or more participants who speak briefly (6-8 minutes), and emphasize discussion among themselves and with the audience.

The organizers welcome variations on and innovations in format within the allotted time frames. If you are proposing a different format for a complete session, please explain the format clearly, and state the rationale and benefits.

If submitting a complete session, please ensure that notifications go out by the end of June at the latest to those whose proposals are declined for the particular panel so that they can still submit individual paper abstracts by the conference submission deadline of August 31.

Email Header: Please put 1) “Complete Session” in the subject line, followed by a brief title (one to five words); 2) OR the name of the affiliate association; 3) OR the name of the regional group

Please include the following information for complete session proposals in the body of the email, as well as attached in Word or rtf.

Adapting the guidelines set out by the American Literature Association which facilitates the copying of accepted submissions directly into the program, we ask that you provide a summary of the panel information at the beginning of the submission in the following format, listing the session title, the chair and affiliation (if any), the organizer (if different from the chair), and affiliate association/group name (if any), and each of the presenters, citing name, affiliation (if any), and title of paper in quotation marks. Please turn off auto format to prevent automatic indenting. Commas separate the name, affiliation, and title, and there is no period at the end. Here is an example:

Gender and Print Culture
Chair: Mary Smith, Nu University
Organized by the North American Society of Women Scholars of Print Culture

Jane Eyre, Thornfield College, “The Afterlife of Women’s Words”
Will Ladislaw, Middlemarch University, “Writing the Right Moment”
Hester Prynne, Independent Scholar, “Embodied Print”
Jo March, Concord State College, “Writing for Money, Writing for the Self”

In addition, please provide the following information:

  • Contact person’s name and contact information: email and phone (to be used only if email fails)
  • Title of session
  • Type of session: please indicate if this is a panel or roundtable, or please explain if you are proposing an alternate format
  • Chair: name and affiliation (if any)
  • Brief biography (60 word limit)
  • Organizer’s name and affiliation (if any), and brief biography (60 word limit) if different from the Chair; or if the session is being organized by an affiliate association or regional group, please provide its name here
  • Abstract overview of session submission (250 – 300 words)
  • A/V requirements: please indicate none or yes; if yes, please specify the equipment required.

For each presenter:

  • Name and affiliation (if any)
  • Title of paper
  • Abstract (250 – 300 words)
  • Brief biography (60 word limit)
  • Email contact

Submit to: ssaww2017.bordeaux.montaigne@gmail.com by June 30, 2016 (complete panel).

Individual Paper Abstract Submission Guidelines-Deadline August 31, 2016

Email Header: Please put “Individual Submission” in the subject line, followed by a brief title of the paper (one to five words)

In the body of the email, as well as attached in Word or rtf, please include the following:

To facilitate the copying of accepted submissions directly into the program, please provide the submission in the following format at the beginning of the submission:

Name, affiliation (if any), title of paper in quotation marks; the items are separated by commas and there is no period at the end.

Example:

Mary Smith, Nu University, “Empowered by Literature”

Then, please provide the following:

  • Name and affiliation (if any)
  • Email and phone contact (phone will only be used in the event of email failure)
  • Title of paper:
  • Abstract (250 – 300 words)
  • A/V requirements: please indicate none or yes; if yes, please specify the equipment required.
  • Brief biography (60 word limit)

Submit to: ssaww2017.bordeaux.montaigne@gmail.com by August 31, 2016 (individual papers).

Every attempt will be made to notify submitters of the status of their proposals by October 31, 2016 and to have the draft program in place by November 30, 2016.

Estimated Conference Costs

Early registration (between November 1, 2016 and January 31, 2017):

  • Faculty members: circa 130 euros (incl. lunch, coffee breaks and closing banquet)
  • Students: circa 100 euros (incl. lunch, coffee breaks and closing banquet)

Late registration (after February 1, 2017): circa 145 euros (faculty)/115 euros (students)

Accommodation: 60-150 euros per night (hotel) or 30-40 euros per night (basic student accommodation)

Questions about conference registration can be directed to:

ssaww2017.bordeaux.montaigne@gmail.com

Thank you!

PDF of the CFP

#GivingTuesday and SSAWW

1 December is #GIVINGTUESDAY: Please consider donating to SSAWW: https://ssawwnew.wordpress.com/donate/
Your tax-deductible donations will help rebuild our graduate student travel fund in anticipation of the 2017 Universite Bordeaux Montaigne conference. Thank you for your support of SSAWW.

SSAWW Graduate Student Paper Award 2015

SSAWW will present an award for the best paper by a graduate student at the 2015 SSAWW conference.

The Award

This award brings recognition and a monetary prize. First- and second-place winners will be awarded a monetary prize and publicly recognized on the SSAWW website. (Note: this award is separate from the Legacy award.)

A committee of three SSAWW members reads the submissions and selects the award winner(s).

Submission Instructions

Submit papers (single PDF or Word document) to the Vice President of Development, Kristin J. Jacobson (Kristin dot Jacobson at stockton dot edu) after the conference. Submissions should include:

1) The paper presented (no more than 2500 words)
2) The name of your panel
3) Contact information (name, institution, degree program, email)

You are welcome to revise the paper from its conference form, but please do not exceed 2500 words.

Deadline: 1 December 2015

Award Announcement: March 2016


 

SSAWW 2015 Conference * Philadelphia, Sheraton Society Hill * November 4-8, 2015

SSAWW Website: http:// https://ssawwnew.wordpress.com/

Facebook: https://www.facebook.com/SSAmWW

Conference Hashtag: #ssaww15                                          Twitter: @SSAWWrs

Fall 2015 SSAWW Newsletter Now Available

The Fall 2015 SSAWW Newsletter is now available: SSAWW 16-2 Fall 2015

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