Author: Cathryn Halverson
Faraway Women and the “Atlantic Monthly”
University of Massachusetts Press, 2019
In the first decades of the twentieth century, famed Atlantic Monthly editor Ellery Sedgwick chose to publish a group of nontraditional writers he later referred to as “Faraway Women,” working-class authors living in the western United States far from his base in Boston. Cathryn Halverson surveys these enormously popular Atlantic contributors, among them a young woman raised in Oregon lumber camps, homesteaders in Wyoming, Idaho, and Alberta, and a world traveler who called Los Angeles and Honolulu home.
Faraway Women and the “Atlantic Monthly” examines gender and power as it charts an archival journey connecting the least remembered writers and readers of the time with one of its most renowned literary figures, Gertrude Stein. It shows how distant friends, patrons, publishers, and readers inspired, fostered, and consumed the innovative life narratives of these unlikely authors, and it also tracks their own strategies for seizing creative outlets and forging new protocols of public expression. Troubling binary categories of east and west, national and regional, and cosmopolitan and local, the book recasts the coordinates of early twentieth-century American literature. (from the publisher’s website)
This book is available for purchase from University of Massachusetts Press: https://www.umass.edu/umpress/title/faraway-women
Edited by: Emily E. VanDette
Novel by: Elizabeth Stuart Phelps
Northwestern University Press, 2019
This book is available in print and digital formats: http://nupress.northwestern.edu/content/trixy
Order the paperback edition of this title at a 25% discount on our website! Code: NUP19
From the Northwestern University Press website:
“Trixy is a 1904 novel by the best-selling but largely forgotten American author and women’s rights activist Elizabeth Stuart Phelps. The book decries the then common practice of vivisection, or scientific experiments on live animals. In Trixy, contemporary readers can trace the roots of the early animal rights movement in Phelps’s influential campaign to introduce legislation to regulate or end this practice. Phelps not only presents a narrative polemic against the cruelty of vivisection but argues that training young doctors in it makes them bad physicians. Emily E. VanDette’s introduction demonstrates that Phelps’s protest writing, which included fiction, pamphlets, essays, and speeches, was well ahead of its time.”
Author: Stephanie Palmer
Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers
Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers analyses British reviews of American women fiction writers, essayists and poets between the periods of literary domesticity and modernism. The book demonstrates that a variety of American women writers were intelligently read in Britain during this era. British reviewers read American women as literary artists, as women and as Americans. While their notion of who counted as “women” was too limited by race and class, they eagerly read these writers for insight about how women around the world were entering debates on women’s place, the class struggle, religion, Indian policy, childrearing, and high society. In the process, by reading American women in varied ways, reviewers became hybrid and dissenting readers. The taste among British reviewers for American women’s books helped change the predominant direction that high culture flowed across the Atlantic from east-to-west to west-to-east. Britons working in London or far afield were deeply invested in the idea of “America.” “America,” their responses prove, is a transnational construct.
Available for purchase from the publisher website: https://www.routledge.com/Transatlantic-Footholds-Turn-of-the-Century-American-Women-Writers-and/Palmer/p/book/9780367204297
Author: Bethany Wood
Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen
University of Iowa Press, 2019
Women Adapting examines three well-known stories that debuted as women’s magazine serials: Anita Loos’s Gentlemen Prefer Blondes, Edith Wharton’s The Age of Innocence, and Edna Ferber’s Show Boat. Through meticulous archival research, this study traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptation. Bethany Wood documents the formation of adaptation systems and how they involved women’s voices and labor in modern entertainment in ways that have been previously underappreciated. What emerges is a picture of a unique window in time in the early decades of the twentieth century, when women in entertainment held influential positions in production and management.
Available for purchase here: https://www.uipress.uiowa.edu/books/9781609386498/women-adapting
Author: Brigitte Bailey
American Travel Literature, Gendered Aesthetics, and the Italian Tour, 1824-62
Edinburgh University Press, 2018
American Travel Literature analyzes tourist writings about Italy from 1824 to 1862 to explain what roles transatlantic travel, aesthetic response and the genre of tourist writing played in the formation of the United States. The Italian tour and its textual and visual expressions were forms through which predominantly white, northeastern elites dreamed their way into national identity and cultural authority. Its interdisciplinary methodology draws on antebellum visual culture, tourist practices and shifting class and gender identities to describe tourism and tourist writing as shapers of an elite (and then normative) national subjectivity. Bringing perspectives from art history and aesthetics, it historicises aesthetic practices, illuminating the depth of Americans’ turn towards visual iconography in articulating social and national identities.
The book investigates tourists’ triangulations of the categories of ‘England’, ‘Italy’ and ‘America’, discusses authors understood as national representatives − Irving, Cooper, Sedgwick, Kirkland, Fuller, Hawthorne and Stowe − in the context of other US and European writers and artists and looks at transatlantic tourist writing as a significant genre of the period that shaped the nation.
Available in print and digital formats with paperback edition forthcoming September 1, 2019. Purchase here.
Author: Michelle E. Moore
Chicago and the Making of American Modernism: Cather, Hemingway, Faulkner, and Fitzgerald in Conflict
Bloomsbury Academic, 2018
Chicago and the Making of American Modernism is the first full-length study of the vexed relationship between America’s great modernist writers and the nation’s “second city.” Michelle E. Moore explores the ways in which the defining writers of the era-Willa Cather, Ernest Hemingway, William Faulkner and F. Scott Fitzgerald-engaged with the city and reacted against the commercial styles of “Chicago realism” to pursue their own, European-influenced mode of modernist art. Drawing on local archives to illuminate the literary culture of early 20th-century Chicago, this book reveals an important new dimension to the rise of American modernism.
The book contains chapters that reexamine the creation of the Little Room and explores Elia Peattie’s relationship to young Willa Cather. Chapter two tells the story of Harriet Monroe’s fight to create the “Columbian Ode.” It reveals Monroe’s battle to obtain and protect her copyright based on new archival evidence and contextualizes the fight against the backdrop of Chicago history.
Available in print and digital formats: https://www.bloomsbury.com/uk/chicago-and-the-making-of-american-modernism-9781350018037/
Liminality, Hybridity, & American Women’s Literature (Palgrave)
Eds. K. J. Jacobson, K. Allukian, R. Legleitner, L. Allison
SPECIAL OFFER – Get 20% off the printed book or eBook on palgrave.com .
Use the following token on palgrave.com PM18TWENTY4 / Valid Nov 7, 2018 – Dec 5, 2018
You can purchase this collection inspired by the SSAWW 2015 conference theme with the discount code – HERE
This book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings.