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Sari Edelstein http://books.upress.virginia.edu/detail%2Fbooks%2Fgroup-4759.xml?q= While American literary history has long acknowledged the profound influence of journalism on canonical male writers, Sari Edelstein argues that American women writers were also influenced by a dynamic relationship with the mainstream press. From the early republic through the turn of the twentieth century, she offers a comprehensive reassessment of writers such as Catharine Maria Sedgwick, Harriet Jacobs, and Charlotte Perkins Gilman. Drawing on slave narratives, sentimental novels, and realist fiction, Edelstein examines how advances in journalism—including the emergence of the penny press, the rise of the story-paper, and the birth of eyewitness reportage—shaped not only a female literary tradition but also gender conventions themselves. Excluded from formal politics and lacking the vote, women writers were deft analysts of the prevalent tropes and aesthetic gestures of journalism, which they alternately relied upon and resisted in their efforts to influence public opinion and to intervene in political debates. Ultimately, Between the Novel and the News is a project of recovery that transforms our understanding of the genesis and the development of American women’s writing.
Edited and with an introduction by Theresa Strouth Gaul
Sacramental Shopping Louisa May Alcott, Edith Wharton, and the Spirit of Modern Consumerism Sarah Way Sherman http://www.upne.com/1611684223.html Becoming Modern: New Nineteenth-Century Studies University of New Hampshire Press Illuminates modern consumer culture and its challenges to American identity and values in two classic novels Written a generation apart and rarely treated together by scholars, Little Women (1868) and The House of Mirth (1905) share a deep concern with materialism, moral development, and self-construction. The heroines in both grapple with conspicuous consumption, an aspect of modernity that challenges older beliefs about ethical behavior and core identity. Placing both novels at the historical intersection of modern consumer culture and older religious discourse on materialism and identity, Sarah Way Sherman analyzes how Alcott and Wharton rework traditional Protestant discourse to interpret their heroines’ struggle with modern consumerism. Her conclusion reveals how Little Women’s optimism, still buoyed by otherworldly justice, providential interventions, and the notion of essential identity, ultimately gives way to the much darker vision of modern materialistic culture in The House of Mirth.
Rose Elizabeth Cleveland: First Lady and Literary Scholar Sirpa Salenius
Rose Elizabeth Cleveland was the First Lady of the United States for nearly two years assisting her brother, President Grover Cleveland. Lesser known, she was also a literary scholar, novelist, and a poet who published works that empowered women. She lived the last years of her life in Bagni di Lucca (Italy) helping refugees.Throughout her life, she placed herself in the center of controversies concerning the position of women, their social, political and educational rights and opportunities, and the changing attitudes regarding their sexuality. She posed crucial questions about social norms and identity formation, questioned the validity of the heterosexual norm, and challenged patriarchal expectations. This book puts Rose Cleveland in her proper place in the historical record and shows her work concerning the ways in which society perceived, invented, and articulated gender and sexuality to be relevant still today.
Making Noise, Making News Suffrage Print Culture and U.S. Modernism Mary Chapman http://global.oup.com/academic/product/making-noise-making-news-9780199988297;jsessionid=60682F5D6578A436DAA299D1FB7FF200?cc=ca&lang=en
For most people, the US suffrage campaign is encapsulated in images of orators such as the tightly coifed Susan B. Anthony, the wimpled Elizabeth Cady Stanton, and others who hectored for women’s rights throughout the nineteenth century. The campaign to secure the vote for US women, however, was also a modern and print-cultural phenomenon, waged with humor, style, and creativity.
In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print culture produced by US suffragists in the two decades leading up to the passage of the 19th Amendment, seven decades after women’s rights activists first met at Seneca Falls! A century before the advent of “social media”, suffragists mobilized the masses [fashioned a “suffragist spring’] through creative forms of propaganda including advocacy journals, guest-edited mainstream magazines, banners, voiceless speech placards, publicity stunts, poetry, and fiction. These propaganda forms made the public sphere much more inclusive even as they also perpetuated an image of the suffragist New Woman as native-born, white, and middle-class.